Color run

It took the dregs of July, the last real rain to percolate through the cracked ground, to get us through three weeks of no rain. A mustard haze hovered over the corn field across the road. Any bit of breeze brushed it into the water pans and left a brown coating on grass that was already crispy. Water in the cabin rainbarrel was conserved used sparingly.

In the floodplain, Cranberry Run didn’t run. Darters, minnows, crayfish and blue gill duked it out in pools, the survivors left to feed the great blue herons by day and raccoons by night.IMG_2139 (1)A week ago, rain–rain we needed so very much–came and went, leaving fungi of all sorts sprouting and the rainbarrel full. The drought dried up the mosquito swarms, leaving perfect conditions for outdoor art workshops. There’s no better time to paint in watercolors than when water drips from the eaves of the shelterhouse, eh?IMG_2122

On August 20, we dug through the kitchen cupboard, the garden and its edges to pool a palette of natural pigments with which to paint still lifes and landscapes. The Saturday class includes individuals from right here in Putnam County to a Tennessee visitor. Using rich colors derived from paprika, turmeric, blueberries and poke berries (plus black coffee, something that’s part of every workshop here), participants developed pieces lush with late summer color. Store-bought paints were also available and most everyone washed the first layer of a second work.

This slideshow requires JavaScript.

There were visitors of different species, including an unidentified caterpillar and two haywagons-full of riders shuttled by neighbor Daryl Bridenbaugh. When paints were put away, the creative mood was still fresh. Board President Laura shared a slurry of shredded, soaked paper, mixed in some concrete plus a little dab of this and that so those that could stay onsite could make papercrete containers.

On this last day of August, one pot has traveled home to North Carolina while the others are still drying in Ohio. Instead of yellow dust, there is fog.

And it’s raining.

Just add paint

117Watercolor is too real painting. As a painter who prefers this two-dimensional medium to most others, I have been in the position to argue this point. My argument accuses oil snobs of decorating their walls with off-the-rack roadside numbers that match a couch.

Boyfriends are broken-up with because of statements like this. But that was providence, it turns out, and a long time ago.

118And painting in oils is fine, if that’s what you like. But don’t tell me that a water-based work, one which requires the painter to give a measure of control over to their chosen medium, allowing light and whims of water, air and pigment to have their way, isn’t real painting.

So, with 94 percent humidity and a forecast of sun, the second “Watercolor for Beginners” workshop took place today under the earth-red roof of the Seitz Family Pavilion. Heavy fog kept a few distant registrants away, but hot black coffee, herbed shortbread and apple oatmeal cookies revived those that took up a brush.

146I love it when watercolor novices tell me, “I have no artistic talent.” These are the ones that are the first to let go; to pool water on their paper and break the surface tension of that pool with a loaded brush. It’s the ones that have painted before, using slow-to-dry, opaque, malleable mediums, that are reluctant let go of control. Because, in my opinion, that’s what you have to do with watercolor. You have to let go and see what water, paint, paper texture and weight and gravity can create when kind of, sort of left to their own devices. Once you have witnessed that, you can begin to take the reins and shape your work.

The seven people who floated through this morning’s fog, included some of the above. They chose their subjects from the Red Fox Cabin gardens, vegetables, flowers and leaves. You can see in the photos the tentative steps, the light lines of paint on cold press paper (I wouldn’t let them sketch their subjects with pencil first). Two hours later, we had a marvelous body of work, each of them showing promise and more than one worthy of exhibition at any art festival.

Of course that, along with my thoughts on how to begin painting with watercolors, is my opinion. I could be wrong.

But I don’t think so.

This slideshow requires JavaScript.

Summer is underway, and with it comes a newsletter

2014 Summer Newsletter.indd

Hot off the printer, as well as an upload, is The Quarry Farm 2014 Summer Newsletter. Lots to talk about, like the fact that The Quarry Farm Nature Preserve & Conservation Farm is a 501(c)3 public charity, and plenty of things coming up. Click on the cover at left, open and read away.

Hope you are able to jump in on the calendar and see for yourself.