In 1826, American folk artist and Society of Friends minister Edward Hicks created “The Peacable Kingdom”. While it’s not in a style that I find particularly appealing, the content of the painting, its message, strikes a chord. In the foreground are a number of different creatures, some of which I can’t identify simply because of the manner in which they were represented, but clearly both predator and prey lying down with one another. There are cherubim and seraphim, as well, and in the background, English settlers meeting with Native Americans.
I don’t pay attention to the human interaction; so little, in fact, that I’m always surprised when I see it. Suffice it to say that there appears to be some manner of commerce taking place involving blankets and, given how that type of exchange often worked out to the detriment of Native Americans, I apparently choose to ignore it each and every time I view the painting. I simply refuse to see.
But the animals? Now that is an altogether different story. I relish those innocent interactions; revel in the way they coexist. And while it’s unlikely that, in the wild, a lion will lay down with a lamb, interspecies cooperation isn’t a rare event, particularly here on The Quarry Farm. I’ve grown accustomed to seeing the chickens ride Buddy, the resident miniature donkey, or any of the six goats that also live here. I’m not surprised to see Snitch, the neighbor’s cat, padding under Mister Bill, the extravagantly tall Boer goat mix, around a pig or two and sideling on by Johnny, the Canada goose. The goats play with the pigs, the pigs play with the chickens and Buddy whips everybody into a (relatively) friendly frenzy every now and again, especially now that spring is just around the corner. We’ve even seen wild rabbits lying out in the open and nursing little ones old enough to have left the nest, but still willing to nurse.
The Quarry Farm Musicians: Audrey, Buddy and S’More
Even so, and despite all of that, I witnessed something the other morning that made me stop and stare.
Although we named him something altogether uncharacteristic of his gender, Gigi is a gander, an Emden goose who is, characteristically this time, very protective of the two geese in his flock. He came here several years ago from Van Buren State Park, where he and Louise (the other goose’s name is Henry and yes, yes, we know) were abandoned. Gigi can be so protective, so surly, in fact, that we encourage visitors to give the trio a wide birth. Gigi is the gander your mother always warned you about: quick to hiss and threaten and quicker still to follow through on that threat with a wing beating or a hard pinch with his bright orange bill.
Madmartigan is one of three pygmy goats that we adopted from a failing goat herd on the eastern side of Ohio four years ago. While generally good natured, like most goats, he has a fondness for his fodder. When food’s involved, all bets are off and he can, and does, do whatever he feels necessary to secure his own little patch of whatever. Being male, Madmardigan also has a ridiculously impressive set of horns, horns that spire up from the top of his head like twin missiles. And when he’s staking claim to a flake of hay or a patch of grass or an apple or three, he liberally applies those horns to heads and backsides and bodies; whatever he can reach to drive his point home.
Individually, these two are more often than not at the core of any discontent. Together, though, at least earlier this week, the two were quite fond of each other. Gigi would slide his neck along Madmartigan’s back and nibble through the hairs there and up his neck and behind his ears. For his part, Madmartigan would gently nudge him with his horns, prompt him to continue her gentle ministrations.
And so here we are on The Quarry Farm, our own peaceable kingdom.